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1.1 Lesson Overview (1. Color Theory 1 Value)
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1.2 Introducing Value
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1.3 Demonstration With Major and Minor Key 1
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1.4 Demonstration With Major and Minor Key 2
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1.5 Setting Up and Value Contrast
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1.6 Vermeer Painting 1
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1.7 Vermeer Painting 2
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1.8 Vermeer Painting 3
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1.9 Remington Painting 1
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1.10 Remington Painting 2
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1.11 Rembrandt Painting 1
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1.12 Rembrandt Painting 2
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1.13 Rembrandt Painting 3
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2.1 Lesson overview (2. Color Theory 1 - Hue and Saturation)
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2.2 Working with your colors
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2.3 Mixing to obtain your colors
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2.4 Getting your final result
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2.5 High contrast low major key paintings demos Part 1
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2.6 High contrast low major key paintings demos Part 2
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2.7 High contrast low major key paintings demos Part 3
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2.8 High contrast low major key paintings demos Part 4
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2.9 Medium value painting demos Part 1
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2.10 Medium value painting demos Part 2
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2.11 High saturation painting demos Part 1
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2.12 High saturation painting demos Part 2
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2.13 High saturation painting demos Part 3
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2.14 High saturation painting demos Part 4
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3.1 Lesson overview (3. Color Theory 1. Complementary Colors)
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3.2 Introduction to Colors
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3.3 Colors and Relationships
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3.4 Working wheel the color wheel
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3.5 Colors, relationships and contrast
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3.6 Still life's and light contrast
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3.7 Still life's and light contrast (continued)
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3.8 Laying in your painting
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3.9 Dealing with high, dark contrast
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3.10 Dealing with high, dark contrast (continued)
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3.11 Continuing to work with light and shadow
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3.12 Continuing to work with light and shadow Part 2
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3.13 Continuing to work with light and shadow Part 3
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3.14 Working with bright color and heavy contrast
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3.15 Working with bright color and heavy contrast Part 2
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3.16 Working with bright color and heavy contrast Part 3
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3.17 Finalizing your painting
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3.18 Finalizing your painting Part 2
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4.1 Lesson Overview (4. Color Theory 1. Color Temperature)
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4.2 Color Wheel, warm and cool hemispheres
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4.3 Color temperature at the same value
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4.4 Warm and Cool Palette
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4.5 Warm light and cool shadows
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4.6 Temperature variations within the lights and within the shadows
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4.7 Temperature variations within the lights and within the shadows (continued)
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4.8 Color temperature in a cool Notan situation
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4.9 Variations of temperature in different color zones
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4.10 Variations of color temp and saturation to neutral
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4.11 Summing up the differences
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5.1 Lesson overview (5. Creating a Plan for Color Temperature)
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5.2 Introduction to color temperature and analysis of Renoir, Degas paintings
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5.3 Analysis of Mazzonis paintings and mappings out a plan for first demonstration
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5.4 Mapping out a plan for second painting demonstration
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5.5 Lay-in of first painting and establishing zones of interest
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5.6 Laying in the background, first zone of interest and hair
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5.7 Blocking in the light side of the face
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5.8 Adjusting values and adding highlights
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5.9 Refining the lips, nose, eyes and background
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5.10 Finishing touches on demonstration 1
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5.11 Laying in the second demonstration and blocking in the background and hair
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5.12 Blocking in the flesh
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5.13 Blocking in the eyes, nose and lips
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5.14 Refining the features of the face and adding highlights
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5.15 Finishing touches on demonstration 2
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6.1 Lesson overview (6. Color Boot Camp. Part 1 Value)
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6.2 Introduction Identifying high, low and major, minor keys
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6.3 Assignment 1 Low major key, high minor key
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6.4 Bill's approach to assignment 1 Part 1
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6.5 Bill's approach to assignment 1 Part 2
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6.6 Assignment 2 Low major key, medium minor key
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6.7 Bill's approach to assignment 2 Part 1
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6.8 Bill's approach to assignment 2 Part 2
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6.9 Assignment 3 High major key, high minor key
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6.10 Bill's approach to assignment 3 Part 1
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6.11 Bill's approach to assignment 3 Part 2
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6.12 Assignment 4 Medium major key, high minor key
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6.13 Bill's approach to assignment 4 Part 1
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6.14 Bill's approach to assignment 4 Part 2
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7.1 Lesson overview (7. Color Boot Camp. Part 2 Saturation)
Урок 87. 00:08:15
7.2 Introduction to Saturation
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7.3 Assignment 1 Overall Low Saturation
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7.4 Bill's approach to Assignment 1
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7.5 Assignment 2 Neutral Areas vs Saturated Areas
Урок 91. 00:35:09
7.6 Bill's approach to Assignment 2
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7.7 Assignment 3 Flat Lighting, Saturated Background, Neutral Shirt
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7.8 Bill's Approach to assignment 3
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7.9 Assignment 4 Dark Background, Saturated Shirt and Skin Tones
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7.10 Bill's Approach to Assignment 4
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8.1 Lesson overview (8. Color Boot Camp. Part 3 Complementary Colors)
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8.2 Introduction to Complementary Colors
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8.3 Assignment 1 Notan Dominant Red, Green Setup
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8.4 Bill's Approach to Assignment 1
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8.5 Assignment 2 From Focused Red, Green Setup
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8.6 Bill's Approach to Assignment 2
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8.7 Assignment 3 Notan Dominant Blue, Yellow Setup
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8.8 Bill's Approach to Assignment 3
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8.9 Assignment 4 Form Focused Blue, Yellow Setup
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8.10 Bill's Approach to Assignment 4
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9.1 Lesson overview (9. Color Boot Camp. Part 4 Color Temperature)
Урок 107. 00:04:16
9.2 Introduction to Color Temperature
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9.3 Assignment 1 Yellow Background, Red Top
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9.4 Bill's Approach to Assignment 1
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9.5 Assignment 2 Red Background, Red Top
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9.6 Bill's Approach to Assignment 2
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9.7 Assignment 3 Blue Background, Peach Top
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9.8 Bill's Approach to Assignment 3
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9.9 Assignment 4 Cooler Background, Peach Top
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9.10 Bill's Approach to Assignment 4
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10.1 Lesson overview (10. Color Boot Camp. Part 5 Hue)
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10.2 Introduction to Hue
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10.3 Assignment 1 Magenta Top, Neutral Background
Урок 119. 00:34:02
10.4 Bill's approach to Assignment 1
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10.5 Assignment 2 Orange Top, Green Lighting
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10.6 Bill's Approach to Assignment 2
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10.7 Assignment 3 Blue Top, Orange-Yellow Hue Range
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10.8 Bill's Approach to Assignment 3
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10.9 Assignment 4 Flat Lighting, Bold Shifts in Hue
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10.10 Bill's Approach to Assignment 4